Archive for February, 2012

How do certain artists get recording and publishing deals ?

while out in the car last week I had the miss-fortune to hear a rapper called “T-Pain”‘s record called “5 o’clock”. The song starts with Lilly Allens song 5 o’clock, and when I saw starts with I mean he’s pressed play on her cd, it then fades to him rapping some terrible lyrics with a vocoder on as he can’t even “talk” in tune, to him singing the same chorus line as Lilly Allens recorded with so much auto tune it makes him sound like a robot. Now that I’ve finished that mini rant I’ll get to the posts point.

I know of bands who have had real talent, but not been able to get record or publishing deals due to minor and major things, look not right, time not right for that style of music, not enough quality songs for an album, too old, too young, not good enough live. That said most of these situations could have been corrected, %90 was done and %10 needed to be worked on, eg: your drummer needs to be tightened up, your look needs altering, we need to work on songs with you etc.

Now using T-Pain as an example (sorry T-Pain if you read this) as a musician I can’t picture how this guy can not only get recorded, but published and major air time.

This is the conversation I picture.

Record Producer/Exec “So T-Pain, lets summarize, you can’t sing in tune, hell you can’t even talk in tune, you can’t play any musical instruments and have no capabilities to write music, your music is pretty much pressing play on someone else’s song and removing parts of the vocal track, while you rap the worst most cliche’ words over the top.”

Rapper “Yup, that about sums it up”

Record Producer/Exec  “well, I’d love to work with you, sign you and promote you”

Rapper “aight”

 

I cannot imagine how this situation happens, clearly there is something there as this guy and type of music is shifting sales, but it just seems mental and does not come together in my head as a concept.

Discuss

Sunday, February 19th, 2012 General No Comments

Harsh wakeup call

Today I really pushed the two rock amp I use hard, pretty close to it’s max volume to fine tune some settings on the amp and some pedals. Wow, what a wake up call, the amp sounded great which is always a bonus and I managed to tune a few settings to get it to respond a bit more how I like it, the negative aspect was I see how sloppy my playing has become at real venue volumes. My improvisation was just poor, my accuracy on hitting notes was nowhere near as good as it can be overall it was really bad and the amp, being a good amp punished me hard. Looking back I’m a little embarrased as I respect the people I play with and looked sloppy and nowhere near as good as I can play.

It’s made me realise I need to set some time aside to play at gig volumes more often to get myself back “match fit”. I guess this comes more from playing live on a more regular basis, but at the moment until I sort myself out I won’t be playing live in front of people.

I’ve also discovered that I need to change some pedals around for my drive sound, pedals that used to work great with my other amps either need the settings changing massivly to work with the two rock, or I need to swap them out, I think it’s the latter. I tested my Klon and Lazy J cruiser at proper volumes and they are great pedals and work well with the amp, the Keeley BD2 just seems harsh with it compared to how it sounded with the Fender amps, and the Analog Dark Peppermint fuzz just sounds too muffled, but I think I can either tweak it, or swap it out with the normal Peppermint fuzz, or Franton Cream Puff fuzz.

Going to work on this at the weeked, but seriously.

Monday, February 13th, 2012 Playing No Comments

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