Studio
As I’ve posted in my last few posts I’m suffering from a little musical lethargy, I can’t seem to get my focus on sitting down and writing, I’m putting a good chunk of this down to still strugglging to find the right people to play with, but that’s just not it, I don’t think the environment of my home studio is helping a lot at the moment. It’s quite chaotic and disorginised, which when you are a one man team at doesn’t make it easy to work, I’m going to have a good work through the actual tidiness of the studio and try to make it easier to work without frustration eg: not have to unravel 900 meters of cable to get the patch lead I want, or not have to kick the Super Nintendo or a pile of clothes out of the way to mic up the amp.
I’m also going to spend a little more time on learning a little more about the studio software I use to make certain recording tasks a little less time consuming and furstrating. I have found that I’ve learnt a lot by working with/studing the software in parallel but maybe a little focus time on not playing and actually learning and understanding will help.
This all sounds like a big excuse of why I’m writing little and poor quality at the moment, but it’s the truth and as this is supposed to document the truth, no point hiding.
On a side note my up coming gig that I was looking forward to got canceled, really doesn’t help.

ProTools 101 Study Time
It’s been a while between posts, hopefully this messasge will explain. I’m currently suffering from “musical lethargy” where I cannot seem to inspire myself to complete musical projects in hand. I’m still writing songs, I’m still recording, but I’m not finishing what I start, I find myself just messing around or playing someone elses tracks for pleasure. The main problem is no reward for the work so far, so I’ve lost focus, at present there is no-one to play these songs with, or record them with, I am not, nor do I want to be a solo act, I get the thrill from writing and then playing with other people, receiving critisism and input from the people I play with to make the songs better. Currrently my options for musician kinship is very limited so without the end goal in sight of playing and recording I’ve found myself getting side tracked. I’ve got double the songs written since my last post, yet the over all finished product of the song (not recording) is not as good as I’m not spending the time to put the re-work in to make an idea a track, I’m just making THE idea a track, which is lazy. This weekend I will try to revisit all work in progress and give them the attention deserve.
I’m hopeful that publicly noting this down will drive me to find the people I want to play with, while also giving me a kick in the arse to finish the work in progress and not allow myself to get distracted from the writing process just because of a lack of imediate gratification.
I’ve not posted much this week, partly due to having little free musical time. A good portion of this time is taken up driving too and from my 9-5 job as it is quite a distance a way at the moment. The radio has been very poor of late so I’ve started going through old CD’s that I’ve not listened to in a while and listening to them on the drive. This has gone really well I’ve enjoyed two old Perl Jam CD’s – one more than the other, Jeff Buckleys Grace, but also slated a few songs on it (I’m ready to be shot with flaming comments) and I’ve got two CD’s I’ve never heard before for today’s drive and Friday. This is giving me some inspiration and reminding me of some guitar sounds and tricks, and song sounds and styles that I’d forgotten about and forgotten can work really well. I’m going to try to keep up with the musical vault next week as even when I’m not enjoying the song, I’m enjoying knowing that I don’t enjoy it and why.
I’m also going to try to listen to some of my old vinyl at home in the evening see how this kick starts things. The 9-5 really drags out the writing and recording process. Keep with me though, I’m glad I decided to do this blog to see where I started and how I got to the finished item (assuming I do get there.)
So I took one of the tracks I’d mixed last night to one of the band members on my ipod to give him an idea. For some strange reaon the overall mix volume was really low, I had to have the ipod on %100 volume just to hear it, so thats something I’ll have to look at, and in general it sounded really flat, which is odd because it sounded great on the monitors and great on my stereo, I’m hoping he flatness is related to the volume problem that seemed to appear when I transfered it to the ipod.
I spent last night trying to put a mix together of a track for a band called “The Dusty Stars” a sort of English prog rock band. It’s turned out quite well for my first real go, I worked by ear rather than by numbers, broke the tracks down into instruments and got each one sounding as good as I could before mixing the track levels.
I had a real problem with the drum sound, considering this was recorded in a professional studio with a professional engineer – the drum tracks are terrible the snare sound is very distant, the hi-hat is picked up from ambient mics and the toms are just muffled. I’ve worked with it the best I can, to get, well the best I can out of it which considering I’m an amature and very much learning, and I appear to have had a terrible track for drums to work with – I’m quite pleaesd. I’m going to have another play with it tonight to give one section a little volume boost for the guitar, and see if I can do a panning trick with a small section of the guitar track, I tried last night but it didn’t quite work out, but I’ve had some great tips from the “Digi User Conference” which is a protools discussion forum so I’ll try again tonight.
I’ve been playing with my Fender Blues Deleux amp for a few weeks now, and I love the sound, it’s great, however I’m finding that it breaks up a little easier than I would like, and only really works with the guitars with the low gain pickups, specifically the strat with the MD spec custom wound bare knuckle pick ups in. I wanted to keep the sound but just give my self a little more headroom and also allow the guitars without the super low gain pick ups in a chance to play through it, so I’ve followed the following updated.
First, I’ve started playing through input 2 – not using input 1, this makes a good difference but doesn’t really effect the head room.
Following some advice I’ve decided to change one of the pre amp valves.

hot fender pre-amps
Upon looking I found out that my amp has the Fender “Red” or “4″ spec premp valves in, which from reading are the most agressive Fender spec valves for break up.( From what I’ve read they are also just re-baged Groove Tubes). The plan is to pop out valve one on the far right of this picture and replace it with a valve that will maintain the same sound but give a little more head room before break up.
For replacement valves I was advised to get 12AY7′s

12AY7 options
I found a few 12AY7′s in terms of makes and models and of course costs, ranging from £40 to £9. I found electro-harmonix and groove tubes to have the best sounds and also value for money, however the Groove Tubes where out of stock in pretty much every shop I wanted so I decided to get a pair of electro-harmonix (always good to have a spare if you pop one) but I also found two different models of 12AY7′s a black “stock” version, or a gold smoother version. I bought 2 black stock valves for spair and one gold spec, just to try.

Gold - is it special, I think not
I decided just to give both a shot just for interests sake. Both where excellent and did the job fine and to be %100 honest I couldn’t really pick up a sound difference between black and gold spec, with the low gain guitar pick up’s the gold one did seem to maintain the clean sound better than the black ones, however I’m also half wondering if I’m looking for that in my ear rather than actually hearing it. I’ve tried both and stuck the gold valve in, and put the pair of blacks to one side as spares, as removing one of the Red Fenders gives me a spare for the Fender pre-amps and now I’ve got a spare for the one off elctro-harmonix valve. This modification has really added to the sound I was looking for, it’s made the amp much better, kept the clean tone but also made it easier to maintain the clean tone. I told you I was going to work for this sound and I think it’s there now for the moment. I’m still playing with amps, but this is a really good update to make and can really recommend it if you’re looking for a little more headroom in your amp. (this will probably work on the Fender HotRod amps too).

The amp opened.